Day 1 Father Christmas tests his #HoHoHo in the oil tank with the World record reverb. After warming up in Salford’s anechoic chamber. More on the World record tank or Chapter 1 of Sonic Wonderland/The Sound Book. More on how Santa’s voice get teleported to the Inchindown Oil Tank with the World Record reverb. Day 2… Continue reading #AcousticsAdvent Week1
The Queen’s Christmas message from 2017 has a nice juxtaposition of her current voice and how she sounded 60 years earlier (about 45 seconds into the video below). How has her voice changed? And why have women’s voice pitch dropped in recent decades? The first thing I take from hearing the two Christmas messages is… Continue reading The lowering of the Queen's voice
Results from an experiment to see if music sounds better with instruments tuned to 432 Hz.
Does music with a lower tuning frequency sound better?
In my last post on musical saw’s I wrote: “The tone of the saw is unlike conventional instruments, it’s very clear and pure. This happens because the instrument makes very few higher harmonics to add colour to the sound.” which prompted a comment: “I would say that on the saw the overtones are vivid and… Continue reading Musical saws and harmonics
It’s the festive season, and time for British middle aged men to dress in drag and become pantomime dames. But they don’t sound much like women. This is something that’s also true of male comedians impersonating women on TV – Monty Python and Les Dawson spring to mind. The difference between male and female voices… Continue reading Why pantomime dames don’t sound feminine